10 Years Factory FTBD Supply to Indonesia

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Model: FTBD DC miniature circuit-breaker
Picture:
Number of poles: 1P 2P
Rated frequency: AC 50/60Hz
Rated voltage (V): 125/250 250/500
Rated current (A): 1,2,3,4
Rated ultimate short-circuit breaking capacity(KA): 6.5
Rated current (A): 6,10,16,20,25,32,40,50,63
Rated ultimate short-circuit breaking capacity(KA): 20,10 20,10
Rated impulse withstand voltage Uimp(KV): 4
Mechanical and electrical life: 20000
Protection rating: IP20
Installation: On DIN rail 35mm according to JB6525
Connection capacity: Cross-section of conductors up to 25mm²,
Ambient temperature (°C): Cross-section of conductors up to 25mm²,
Altitude (m): ≦4000m
Relative air humidity: no more than 95%
Pollution degree:
Installation condition: Used in place without obvious shock and vibration
Weight (g): 116 /232




  • Circuit Breaker was written by Gene Koshinski and performed by the UMD Graduate Percussion Ensemble under the direction of Gene Koshinski and Tim Broscious.

    Performers:
    Gene Koshinski
    Tim Broscious
    Jordan Holley
    Jody Morgan
    Douglas Quance
    Michael Taylor

    Program Notes:

    Circuit Breaker, scored for percussion sextet, functions as a concertino for percussion duo with percussion quartet accompaniment. While there is no set program, the impetus for the piece came from images of robots dancing. Initially, I was intrigued by a video of twenty synchronized “Noa” robots dancing in perfect unison, but the aesthetic of the music did not seem to fit the visual image. This posed the question, “What kind of music would a robot dance to?” This question conjured up a variety of ideas and sounds from mechanical and industrial to unusual and whimsical. Circuit Breaker takes the listener through a series of musical scenes that offer a response to this abstract question.
    While the concept of the work is somewhat light and humorous, the score itself is both technically and musically demanding, particularly for the soloists. The piece ranges in aesthetic and includes music that is angular, free, motoric, conversational, improvisatory, and of course groove-oriented. Simply put, the piece is full of color and fun!

    -Gene Koshinski



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